Showing posts with label writing in art. Show all posts
Showing posts with label writing in art. Show all posts

Tuesday, 27 December 2011

Art I LIke: Tom Friedman

Tom Friedman is another artist who uses the written word in a creative and witty way, as here:




Untitled 1990 The artist writes his signature repeatedly for the life of a pen 106.7 cm
(detail below)





Many of his works are made of recycled paper or cardboard, but the focus is on the material itself, rather than any writing it contained.  This is another example, which I like for it's simplicity and sense of balance.



                             Smile (2009)     
sculpture, Assemblage de rondelles de papiers, 27 cm x 65 cm




More of his work, and about him, is here.

Art I Like: Wendy Wahl

High time I was back on this blog!  House building, Christmas and a heavy cold are my excuses for rather a long absence.   But now I must focus on my next Pathway Project,  around the theme Writing/Word.

Looking around at the work of artists who use writing and words in their work, I came across Wendy Wahl, (b 1961, Los Angeles, now living in Rhode Island) who creates fantastic and often large sculptures out of old copies of the Encyclopaedia Britannica.    Her website is here, including some of her works, also more here and yet more about her is on the Encyclopaedia Britannica blog (yes, there really is an EB Blog) here.



Wendy Wahl
seven pieces, paper, yarn

95" x 60" x 36", 2001-2002 


REBOUND: MIXED VOLUMES 3
Wendy Wahl
discarded/deconstructed/restructured encylopedia pages

40" x 16" x 17" ; 50" x 78" x 17" ; 60" x 95" x 17", 
2009


I like the structures themselves, for their obviously tactile appeal, and their simple but somehow organic shapes.  But most of all, I like that Wendy Wahl has found a way to translate (or perhaps transfer) the information and knowledge contained within the EB to new and visible forms.  The EB sits on many dusty library shelves, often unopened for years, and the contents are seen only by the eager searchers after knowledge.  her works expose the pages, individually and en masse, to a wider audience, who may wonder about their original meaning, while enjoying the fantastic shapes and swirls of her sculptures.