Some of his work just looks like scribbling, but the overall effect is impressive, not least because of the enormous scale of his works.
Untitled, 1974, 68" x 85"
Unititled
oil based house paint and wax crayon on canvas
48 x 55 in. (122 x 140 cm.)
Painted in 1967.
Some of his works are smaller and done on paper, like this one, Roman Notes: one plate, 1970, 34 x 28"
The following images are Untitled, 1971, a series of six lithograph 22 x30". This is the first, the rest follow below.
Images copied from here.
Some of his pieces are absolutely massive.
Notes III, 2005-2007, 96 x 144"
This one, Untitled, 1970, is 13' x 21'.
(the link is here) and the MoMA site describes it thus:
Twombly is a key member of the generation of American artists immediately following the Abstract Expressionists. Between 1967 and 1971 he produced a number of works on gray grounds. The largest in the series, this monumental painting features terse, colorless scrawls, reminiscent of chalk on a blackboard, that form no actual words. Twombly made this work using an unusual technique: he sat on the shoulders of a friend, who shuttled back and forth along the length of the canvas, thus allowing the artist to create his fluid, continuous lines.
Here is another image of some of his later works in a gallery setting, with an indication of their huge size.
Cy Twombly Sensations of the Moment, MUMOK exhibition view, Foto: MUMOK, Lisa Rastl, © MUMOK.
There are obvious connections between his works and the a-semic writing panels which I have been making for my project, although I had not until today really looked at his work. In particular, I am interested in the scale of his pieces, something i still have to think about for Monday's college session.
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