The biggest problem was that I only hd acrylic paint, and not printing ink (I have some relief printing ink, but it has been pack away and is totally impossible to relocate at present). I discovered very quickly that you need th right kind of ink!
However, I had a go first at doing a mono print, rolling ink onto an acetate sheet, dropping paper onto that, and then tracing the lines of my walking routes round Bristol through all the layers, using a sharp pencil and working as fast as I could.
The first print was very dark - there was too much paint, and it was paint! And it wasn't printing ink!.
So I managed to pull a second print from the inked acetate, which was actually a lot better.
A second inking failed for a different reason - I drew into the print rather too heavily, and the paper (torn form a spare sketch book) stuck to the printing planet and tore a little. Effects of the wrong kind of ink and the wrong kind of paper.
This was the acetate inked plate, with traces of torn paper stuck to the paint.
Next up, I decided to try something much simpler, a potato cut relief print. I cut a motif derived from my 'walking routes' print design, and inked the potato using a sponge brush. The results were far from brilliant (I think I would have done better with proper printing ink) but I quite liked the design itself.
This is where I was working, on the kitchen table in the cramped chaos of the sitting room.
Inspired by this design, I cut a simple lino block, and tried printing from that. The results were seriously marred by the lack of proper printing ink....
I might have another go at this later with the right materials, as I quite liked the effect, and I would like to see why it looked like as a repeat pattern over a larger area.
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